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<\/h1>\nD\u00e9viations cartographiques<\/em><\/strong> At the heart of landscapes lies a territory that we have marked out with our hands, by maps. Imbued with paradoxes, passions and ideologies, these maps have always attempted to give concrete form to the abstract thinking of our world. They tell subjective stories of curiosity and often domination.<\/p>\n Today the Anthropocene forces us to collectively rethink the way we live on Earth. What if, together, we took the time to interest ourselves in cartographies originating from decolonial and ecofeminist thinking, which bring to the fore alternative discourses often silenced or marginalized?<\/p>\n Yet humanity has changed its pace, posture and tone. The scientific passions of the great discoveries of past centuries have given way to the need to understand our own position confronted with environmental and humanistic crises. We need to accept that we are much more lost than we thought. This raises an essential question: how do we situate ourselves in space today? What if we started by changing scale?<\/p>\n Precise knowledge of our territory is not enough to ease our relationship with the world. Where the known banishes all adventure, where maps, GPS and other navigational techniques mark a path where mistakes are impossible, artists are invited to reintroduce the uncertainty of the route, the lines of movement, the singularity of the territory’s uses and the impressions left in memory, questioning, for example, the true nature of borders.<\/p>\n Thus, while the geographer relies on tangible data, the artist, freed from the constraints of accuracy, can decipher cartographic lines and negotiate their meaning. The artist\u2019s work reveals not only lived or dreamed narratives seen from different angles, but also the flows of ideas that have traversed the history of art. This exhibition therefore invites us to reflect on the power of the images conveyed by maps, these representations that mould our imaginations of spaces and their outlines.<\/p>\n Here, detours are suggested.<\/p>\n Dyana Ouvrard, curator<\/strong><\/p>\n D\u00e9viations cartographiques<\/em> invites artists to explore and reinterpret the notion of cartography, scale and relationship to territory through their digital prints, while simultaneously evoking the contemporary issues of the Anthropocene, decolonization and ecofeminist perspectives.<\/p>\n REGULATIONS All professional artists from all countries can participate on the theme \u201cMap Deviations<\/em><\/strong>.\u201d This theme was chosen by the curator Dyana Ouvrard<\/strong> and is developed above.<\/p>\n The regulations for participation are explained in the FAQ<\/strong> below.<\/p>\n SUBMISSION<\/strong> SCHEDULE<\/strong> Notification of participants:<\/strong> Jury deliberations for the prize:<\/strong> Exhibition on the gallery wall or virtual :<\/strong> Vernissage or online opening:<\/strong> FAQ<\/strong> What is an original digital print?<\/strong> What formats are accepted by the International Digital Miniprint Exhibition<\/em>?<\/strong> How many images can an artist participant submit?<\/strong> How much does it cost to participate?<\/strong> Who prints the artwork?<\/strong> How will the artwork be selected for the exhibition?<\/strong> How will the prizes be awarded?<\/strong> What are the values of the prizes?<\/strong> Is it true that an artist can donate his or her print to Le Centre d’artistes Voix Visuelle?<\/strong> This call for submission is finished.\u00a0 D\u00e9viations cartographiques “Il n\u2019est fronti\u00e8re qu\u2019on n\u2019outrepasse.” (There’s no boundary we can’t cross.) -\u00c9douard Glissant At the heart of landscapes lies a territory that we have marked out with our hands, by maps. … Continue reading
\n“Il n\u2019est fronti\u00e8re qu\u2019on n\u2019outrepasse.” (There’s no boundary we can’t cross.)
\n-\u00c9douard Glissant<\/p>\n
\nPlease note that these regulations have been modified with respect to previous years.<\/strong><\/p>\n
\nThe submission must contain the following:<\/p>\n\n
\nSubmission must be received by email:<\/strong>
\nBy August 15, 2024, at the latest<\/p>\n
\nIn October, the notification will be posted on the Voix Visuelle website<\/p>\n
\nBeginning of November, 2024<\/p>\n
\nNovember 2 to December 10, 2024<\/p>\n
\nThursday, November 7, 2024 at 5 p.m.<\/p>\n
\nWho are the organizers of the International Digital Miniprint Exhibition<\/em>?<\/strong>
\nThis exhibition is organized by Le Centre d\u2019artistes Voix Visuelle located in Ottawa, Ontario, Canada.<\/p>\n
\nAccording to fr.wikipedia, the designation \u201cestampe num\u00e9rique\u201d (digital print) refers to works where the computer is the principal design tool, used to create a matrix of digital data. A digital printer, generally ink jet, is then used to print the matrix on various media.<\/p>\n
\nThe image must not be bigger than 20 cm by 25 cm or 25 cm by 20 cm (8 in x 10 in or 10 in x 8 in).<\/p>\n
\nAn artist can submit one or two images.<\/p>\n
\nThe entry fee is CAD 30, which must be paid by Pay<\/span>Pal<\/span><\/em><\/strong><\/a>.<\/p>\n
\nVoix Visuelle will print the artwork on photo paper in the case of an exhibition in the space of the gallery.<\/p>\n
\nThe selection will be made by the curator of the exhibition.<\/p>\n
\nThe prizes and the mentions will be determined by an independent jury of peers.<\/p>\n
\nThe first prize is a sum of CAD 300, the second, a sum of CAD 200, and the third, a sum of CAD 100.<\/p>\n
\nYes, accepted works may be donated to the Centre for fundraising purposes.<\/p>","protected":false},"excerpt":{"rendered":"