{"id":3765,"date":"2014-08-03T15:08:47","date_gmt":"2014-08-03T15:08:47","guid":{"rendered":"http:\/\/159.203.8.238\/?page_id=3765"},"modified":"2016-10-18T18:28:24","modified_gmt":"2016-10-18T18:28:24","slug":"9ieme-exposition-internationale-destampe-numerique-miniature","status":"publish","type":"page","link":"https:\/\/voixvisuelle.ca\/en\/9ieme-exposition-internationale-destampe-numerique-miniature\/","title":{"rendered":"International Digital Miniprint Exhibition 9"},"content":{"rendered":"<p><a href=\"\/wp-content\/uploads\/2014\/10\/web-numerique9-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3886 size-thumbnail alignleft\" src=\"\/wp-content\/uploads\/2014\/10\/web-numerique9-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/voixvisuelle.ca\/wp-content\/uploads\/2014\/10\/web-numerique9-1-150x150.jpg 150w, https:\/\/voixvisuelle.ca\/wp-content\/uploads\/2014\/10\/web-numerique9-1-300x300.jpg 300w, https:\/\/voixvisuelle.ca\/wp-content\/uploads\/2014\/10\/web-numerique9-1.jpg 500w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><strong>Theme: <em>Enduring Folds<\/em><br \/>\nParticipating artists: <\/strong>\u00a0Nathalie Ampleman\u00a0|\u00a0Raymond Aubin\u00a0|\u00a0Ren\u00e9e Chevalier\u00a0|\u00a0Micheline Couture\u00a0|\u00a0Lillianne Daigle\u00a0|\u00a0Mich\u00e8le DeBellefeuille\u00a0|\u00a0Madeline Deriaz\u00a0|\u00a0Maryse Des Aulniers\u00a0|\u00a0 C\u00e9cile Dremi\u00e8re\u00a0| Gracia Dub\u00e9\u00a0|\u00a0\u00c9lisabeth Dupond |\u00a0Bruno Gervais\u00a0|\u00a0Louis Godbout\u00a0|\u00a0Jose Roberto Godoy\u00a0|\u00a0Olena Golub\u00a0|\u00a0Eugenia Gortchakova\u00a0|\u00a0John Graham\u00a0|\u00a0Adriana Guti\u00e9rrez\u00a0| Saeko Hanji\u00a0|\u00a0Isao Kobayashi\u00a0|\u00a0Johanne Lafreni\u00e8re\u00a0|\u00a0Louise Lamirande\u00a0|\u00a0Doris Lamontagne\u00a0|\u00a0Marie-Paule Le Bohec-Macot\u00a0|\u00a0Denis Leclerc\u00a0|\u00a0Kinichi Maki\u00a0|\u00a0Louise Mercure\u00a0|\u00a0Joseph Muscat\u00a0|\u00a0Thom O\u2019Connor\u00a0|\u00a0Csaba P\u00e1l\u00a0|\u00a0Andr\u00e9 Paquin\u00a0|\u00a0Martine P\u00e9riat\u00a0|\u00a0Henry Pouillon\u00a0|\u00a0Izabella Retkowska\u00a0|\u00a0Mana Rouholamini\u00a0|\u00a0Anne et Gilles Roulant et Guillaume\u00a0|\u00a0Jozina Marina Van Hees\u00a0|\u00a0Mark\u00e9ta V\u00e1radiov\u00e1\u00a0|\u00a0Paul Walty\u00a0|\u00a0David Westrop\u00a0|\u00a0Pierre Woerner<\/p>\n<p><strong><span style=\"color: #800000;\"><em>Enduring Folds<br \/>\n<\/em><\/span><\/strong>The ancient Greeks have developed a whole grammar of the draped figure from the straight geometry of the archaic style to the lyrical passion of the Hellenic style. The formal archetypes they left for posterity have been taken up again and again like in the gothic column sculpture or the baroque angels of Bernini.<\/p>\n<p>Will the modern era, through the famous Demoiselles d\u2019Avignon by Picasso for instance, undermine the validity of the draped figure in art ? A considerable body of work is still being treated in actual art practices, from Michael Snow (Solar breath, Northern Caryatids, 2002) to Shirin Neshat (Rapture-Series \u2014 Women Scattered, 1999), from Christo and Jeanne-Claude (Runnig Fence, 1972-76) to Ed Pien and Johannes Zits (Gravity, 2012). The list goes on and on and includes a remarkable example pertaining to etching in the work of Betty Goodwin (Crushed Vests, 1969-74).<\/p>\n<p>May they be political, social or formal, the draped figure seems to adapt itself to the numerous preoccupations of the artist as a subject, as a mean or simply as matter.<\/p>\n<p>&#8212; Fran\u00e7ois Chalifour, Curator<\/p>","protected":false},"excerpt":{"rendered":"<p>Theme: Enduring Folds Participating artists: \u00a0Nathalie Ampleman\u00a0|\u00a0Raymond Aubin\u00a0|\u00a0Ren\u00e9e Chevalier\u00a0|\u00a0Micheline Couture\u00a0|\u00a0Lillianne Daigle\u00a0|\u00a0Mich\u00e8le DeBellefeuille\u00a0|\u00a0Madeline Deriaz\u00a0|\u00a0Maryse Des Aulniers\u00a0|\u00a0 C\u00e9cile Dremi\u00e8re\u00a0| Gracia Dub\u00e9\u00a0|\u00a0\u00c9lisabeth Dupond |\u00a0Bruno Gervais\u00a0|\u00a0Louis Godbout\u00a0|\u00a0Jose Roberto Godoy\u00a0|\u00a0Olena Golub\u00a0|\u00a0Eugenia Gortchakova\u00a0|\u00a0John Graham\u00a0|\u00a0Adriana Guti\u00e9rrez\u00a0| Saeko Hanji\u00a0|\u00a0Isao Kobayashi\u00a0|\u00a0Johanne Lafreni\u00e8re\u00a0|\u00a0Louise Lamirande\u00a0|\u00a0Doris Lamontagne\u00a0|\u00a0Marie-Paule Le Bohec-Macot\u00a0|\u00a0Denis Leclerc\u00a0|\u00a0Kinichi Maki\u00a0|\u00a0Louise Mercure\u00a0|\u00a0Joseph &hellip; <a href=\"https:\/\/voixvisuelle.ca\/en\/9ieme-exposition-internationale-destampe-numerique-miniature\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":850,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-3765","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/pages\/3765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/users\/850"}],"replies":[{"embeddable":true,"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/comments?post=3765"}],"version-history":[{"count":53,"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/pages\/3765\/revisions"}],"predecessor-version":[{"id":5316,"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/pages\/3765\/revisions\/5316"}],"wp:attachment":[{"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/media?parent=3765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}