{"id":2078,"date":"2011-03-02T20:30:47","date_gmt":"2011-03-02T20:30:47","guid":{"rendered":"http:\/\/159.203.8.238\/"},"modified":"2012-05-10T16:36:42","modified_gmt":"2012-05-10T16:36:42","slug":"expositions-2011","status":"publish","type":"page","link":"https:\/\/voixvisuelle.ca\/en\/expositions-2011\/","title":{"rendered":"2011 EXHIBITIONS"},"content":{"rendered":"

From November\u00a05 to December\u00a013,\u00a02011
\n<\/span>The sixth edition of the\u00a0International Digital Miniprint Exhibition
\n<\/span>The Transformed Body<\/span><\/p>\n

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Premier prix : Ajk Piercc + Tee Kho !, (Pologne et Ukraine), EYEXCHANGE-V-8.5 <\/p><\/div>\n

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Deuxi\u00e8me prix : Manon Pelletier,(Montr\u00e9al), 2<\/p><\/div>\n

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Troisi\u00e8me prix : Raymond Aubin, (Gatineau), Pr\u00e9matur\u00e9 <\/p><\/div>\n<\/div>\n

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Mention d'honneur : Doris Lamontagne (Ottawa), Au-del\u00e0 des imperfections<\/p><\/div>\n

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Mention d'honneur : Louise Mercure (Montr\u00e9al), Femme fleuve<\/p><\/div>\n

\"\"<\/a>From November\u00a05 to December\u00a013,\u00a02011, Centre d\u2019artistes Voix Visuelle will present its sixth edition of the\u00a0International Digital Miniprint Exhibition. Curated by\u00a0Katy\u00a0Le\u00a0Van,the exhibition will show artwork from Algeria, Bulgaria, Canada, Czech Republic,\u00a0France, Hungary, Poland, Serbia, Slovenia, Switzerland, Ukraine and United Kingdom.<\/p>\n

The theme,\u00a0The Transformed Body, has inspired over forty\u00a0artists who portrayed the human body by detaching themselves from the constraints imposed by society, creating images that have a unique style. Please note that three Desjardins prizes will be awarded by a panel of judges to the three artists whose work stands out because of its quality and originality.<\/p>\n

Sunday October 2, 2011<\/p>\n

<\/span><\/strong>Rachel Echenberg<\/span><\/p>\n

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Rachel Echenberg <\/p><\/div>\n

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Sunday October 2, 2011 Rachel Echenberg <\/strong> gave a performance in which she attempted to portray the blind spots of perception. Drawing from the exhibition theme, The eye\u2019s subconscious via digital pinhole photography, the artist presented a collage of live images, a slip between the visible and experiential. The performance was part of Viva! Art Action and took place thanks to a collaboration with AGAVF.<\/span> [\/peekaboo_content]<\/p>\n

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From September 17 to October 25, 2011<\/p>\n

The first edition of its\u00a0Digital Pinhole Photography Triennial : <\/strong><\/p>\n

The eye\u2019s subconscious via digital pinhole photography<\/strong><\/p>\n

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Paul Walty<\/h5>\n<\/dl>\n<\/div>\n
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Doris Lamontagne<\/h5>\n<\/dl>\n<\/div>\n

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The curator, Andr\u00e9 Paquin, <\/strong>, has worked closely with 15 artists to put together The eye\u2019s subconscious via digital pinhole photography, an exhibition which presents photographs stemming from the unexpected and \u201cformed by light and by time passing inexorably\u201d.<\/span><\/p>\n

Participating artists:<\/p>\n

Csaba P\u00e1l, Doris Lamontagne, Driss Aroussi,\u00a0Janie J. Fort, Marion Bordier, Miki Gingras & Patrick Dionne,\u00a0Paul Walty, Paula Franzini, Regina Czapiewska, Suzanne Nerbonne, Tracy Peters, Wenda Salomons, William Eakin.<\/p>\n

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July 9 to August 16,2011<\/p>\n

Paula Franzini and Claire Lemay<\/strong><\/p>\n

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Paula Franzini<\/p><\/div>\n

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Claire Lemay<\/p><\/div>\n

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<\/span><\/strong>[peekaboo_content name=” Paula Franzini\u00a0“]<\/p>\n

In addition to her artistic training, Paula\u00a0Franzini<\/strong> earned a doctorate in physics. Her body of work, which explores the subject of the urban jungle and the expression of inner impulses, is therefore in close relation with her multidisciplinary path. Her digital prints and drawings show that art and science have a \u201ccommon denominator\u201d. <\/span><\/p>\n

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Claire Lemay<\/strong>, who took part in the establishment of Atelier Zocalo, uses popular imagery to demonstrate how wood engraving evolved. In her digital prints, ancient etchings and graffiti share the spotlight to evoke the past and the present, and show the viewer an uncertain time, a kind of unlikely rendez-vous.<\/span> [\/peekaboo_content]<\/p>\n

\"\"<\/a>May 7th to june 14,2011<\/p>\n

<\/span>Fran\u00e7ois Mathieu and Joan Rzadkiewicz<\/span><\/p>\n

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Fran\u00e7ois Mathieu<\/p><\/div>\n

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Joan Rzadkiewicz<\/p><\/div>\n

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[peekaboo name=” Mathieu Rzadkiewicz ” onshow=”-Close the press release” onhide=”+Consult the press release”]<\/p>\n

[peekaboo_content name=” Mathieu Rzadkiewicz “]<\/p>\n

Centre d\u2019artistes Voix Visuelle<\/em> presents, from May 7 to June 14, 2011, the work of Fran\u00e7ois Mathieu<\/strong>, sculptor, <\/strong>and Joan Rzadkiewicz<\/strong>, who works with photography and digital image processing.<\/p>\n

There are four sculptures in Mathieu<\/strong>\u2019s body of work; they are materially overflowing and try to embody pure form, the sphere. Each of these sculptures lives at the frontiers of representation, functionalism and literal meaning. Their body is unassuming; the object, a little less voluble.<\/p>\n

Rzadkiewicz<\/strong> uses the outer shells of televisions and radios to compose scenarios which explore the dynamics at work in a culture shaped by electronic communications. These digital compositions present an inversion in which the spaces typically found surrounding a television set or radio, are located within.[\/peekaboo_content]<\/p>\n

From March 12 to April 19, 2011<\/p>\n

Suzanne Nerbonne<\/strong><\/p>\n

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Suzanne Nerbonne<\/p><\/div>\n

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From March 12 to April 20, video art will have the place of honour at Le Centre d\u2019artistes Voix Visuelle<\/em>, as artist Suzanne Nerbonne<\/strong> unveils a video series that documents different time spaces.<\/em><\/em><\/p>\n

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Andr\u00e9 <\/strong> Andr\u00e9 is a video installation that includes five monitors placed one on top of the other, presenting one main character. He is filmed from head to toe, but shown in five different parts. The viewer\u2019s perception of the character is thus desynchronized, the latter evolving in lasting time.<\/em><\/em><\/p>\n

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As for Casier <\/strong> >, it includes 12 monitors showing 12 teenagers filmed for 3 minutes in front of a locker. The artwork, projected repetitively, is seen as a complex mosaic and an original choreography, but the viewer is soon aware of the discomfort of the actors confronted by the camera.<\/p>\n

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From January 15 to February 22, 2011<\/strong><\/p>\n

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<\/strong>Nathalie Lavoie and Anne-Marie Sirois<\/strong><\/p>\n

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Nathalie Lavoie<\/p><\/div>\n

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Anne-Marie Sirois<\/p><\/div>\n

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To start the year on the right foot, Le Centre d\u2019artistes Voix Visuelle<\/em> presents,<\/span><\/p>\n

from January 15 to February 22, the work of two artists inspired by a rather<\/p>\n

particular object: the iron.<\/p>\n


Nathalie Lavoie<\/strong> will present drawings which replicate the pattern of the openings<\/span><\/p>\n

found on the soleplate of the iron, as well as the video of a performance in which<\/p>\n

she irons a sheet on the ground. Thus, she invites the observer to reflect on the<\/p>\n

formal components of the iron and the repetitive gesture associated with it.<\/p>\n

On the other hand, Anne-Marie Sirois<\/strong> will exhibit a series of amusing sculptures<\/span><\/p>\n

made from old irons and other unusual objects found in flea markets. Her sculptures<\/p>\n

are the direct result of a spontaneous creative process relating to play.<\/p>\n

[\/peekaboo_content]<\/p>\n

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<\/em><\/p>","protected":false},"excerpt":{"rendered":"

From November\u00a05 to December\u00a013,\u00a02011 The sixth edition of the\u00a0International Digital Miniprint Exhibition The Transformed Body From November\u00a05 to December\u00a013,\u00a02011, Centre d\u2019artistes Voix Visuelle will present its sixth edition of the\u00a0International Digital Miniprint Exhibition. Curated by\u00a0Katy\u00a0Le\u00a0Van,the exhibition will show artwork from … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":850,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_members_access_role":[],"_members_access_error":""},"class_list":["post-2078","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/pages\/2078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/users\/850"}],"replies":[{"embeddable":true,"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/comments?post=2078"}],"version-history":[{"count":119,"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/pages\/2078\/revisions"}],"predecessor-version":[{"id":2084,"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/pages\/2078\/revisions\/2084"}],"wp:attachment":[{"href":"https:\/\/voixvisuelle.ca\/en\/wp-json\/wp\/v2\/media?parent=2078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}